Disney and Pixar have long been known for their innovations in the realm of animated movies, and their success speaks for itself. Over the years, each has made incredible films. Though not technically the first animated film, Snow White and the Seven Dwarfs proved the format could be profitable, and the company dominated the animation genre for decades after, often using new technology to do so. Meanwhile, Pixar came onto the scene in 1995 with the company’s first feature, Toy Story. This was also the first computer-animated film, and with it, Pixar changed the industry forever. Since Disney owns Pixar, the two often share success, but these days, they face the same problems. In recent years, Disney and Pixar have become stagnant and stuck in the same style while other production companies experiment. With their recent flops that often look too similar, it seems these former giants are losing their edge.
Disney and Pixar Rely Too Heavily on Realism and 3D animation
Since the onset of computer-animated films, there have continued to be changes, but Disney and Pixar seem to have latched on to the 3D animation style and stuck with it. This allows for incredible detail, making the animation look beautiful and as realistic as possible. For a while, it was impressive. The animation style grew progressively better, partially because of Disney and Pixar’s other groundbreaking films. The Incredibles developed technology that allowed more realistic and complex movement in human characters. Tangled developed new technology to better animate Rapunzel’s (Mandy Moore) hair, creating a shockingly realistic spectacle. Yet, after so many years, this animation style has lost its charm.
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Disney and Pixar have come to rely on 3D animation too much, to the point that they have abandoned the classic methods, with the last 2D animated film from the company being 2011’s Winnie the Pooh. Meanwhile, other animation companies have continued to experiment. Spider-Man: Into the Spider-Verse honored its comic book origins with a unique look, combining 2D and 3D animation in an innovative way that benefits the film. Likewise, Puss In Boots: The Last Wish moved away from the naturalistic style of earlier animated films. These films show there is room for new technologies and styles that look less realistic, because if that’s what you want, why not watch a live-action film?
Disney and Pixar’s New Films Look the Same
Using the same technology wouldn’t be nearly as noticeable an issue if the films didn’t all look the same. While the films have different settings, the characters look very similar, especially the females. Elsa (Idina Menzel), Anna (Kristen Bell), Rapunzel, Moana (Auli’i Cravalho), Mirabel (Stephanie Beatriz), Asha (Ariana DeBose), and even Venelope (Sarah Silverman) share the same facial structure, with round heads and overly large eyes. Most concerningly, Sisu’s (Awkwafina) dragon form in Raya and the Last Dragon shares this look. The lack of variety is getting old.
Disney is not the only culprit. Though Pixar often centers stories around non-human characters, they occasionally fall into the same trap. The characters of Luca, Turning Red, and Win or Lose all look similar. These are three somewhat rare examples of Pixar stories centered on people, and they have the same struggle as Disney’s recent films. There is a little more variety among the characters, but the style across all three is the same, making it less unique than it first seemed.
Recently, Disney and Pixar Haven’t Been at Their Best
Wish attempted to use a new style by blending 3D animation with watercolor backgrounds in an attempt to return to Disney’s roots, but it was not a big enough change from modern Disney films, especially because the characters fit the typical mold. Despite being a celebration of the company’s 100 years, Wish flopped, and it wasn’t the first to do so. Stange World struggled as well. On Pixar’s side, Turning Red, Onward, and Lightyear did not do well, and these all notably share the same animation style. Disney and Pixar’s recent catalog isn’t really catching on, and they are relying on more sequels. In 2024, Disney released Moana 2 and Pixar Inside Out 2, and both gathered a respectable audience because their original films were so well-loved. While sequels are fun, the studios need original films, too. So, it’s time for Disney and Pixar to let go of what they have been doing and try something completely new to recapture the audience’s attention.
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